Olympus Zuiko Digital 12-60mm 1:2.8-4.0 review

The Digital Zuiko ED 12-60mm 1:2.8-4.0 SWD is Olympus's latest upmarket standard zoom, announced to accompany its E-3 flagship DSLR in October 2007. Firmly placed in what Olympus refers to as its 'Pro' lens lineup, this lens offers a near-ideal focal length range for a standard zoom (24mm to 120mm in 35mm-equivalent terms), combining a useful wideangle for landscapes and architecture with a telephoto extending nicely into the classic 'portrait' range. Hopefully this 5x zoom range isn't so ambitious as to introduce unacceptable optical compromises. The optical configuration is sufficiently exotic to offer great hopes in this regard; the lens boasts no fewer than three extra-low dispersion (ED) glass elements, one of which is aspherical, coupled with two further aspherical elements, and as the icing on the cake one Super ED glass element. Clearly Olympus has adopted a "no holds barred" approach to lens design here, which can only be applauded.

This lens also sees Olympus finally adopting the now near-ubiquitous ultrasonic motor for focusing, here dubbed the 'Supersonic Wave Drive', and (according to their press material at least) offering the world's fastest autofocus when used with the E-3. This in turn allows the use of a mechanically-coupled manual focus ring, in a welcome contrast to the somewhat-unloved 'focus-by-wire' mechanisms on its previous lenses. Further headline features include dust and splashproofing for protection against the elements, a 25cm close focusing distance, and a circular aperture diaphragm promising pleasing background blur. On paper at least, this makes for a hugely compelling overall package.

Of course the 12-60mm has a hard act to follow, as the spiritual successor to the highly regarded 14-54mm F2.8-3.5, which was the standard kit lens for the E-1. In comparison, the newcomer offers extended range at both wideangle and telephoto, improved focusing, and even better macro performance, but at the expense of a slightly dimmer maximum aperture throughout the range. Of course this all comes at a price, and the 12-60mm is by no means cheap; so do the optics justify the price tag?

Use of the Panasonic L10 as Four Thirds test body

We have chosen to use the Panasonic L10 as our standard test body for Four Thirds lenses purely because it gives the highest numbers in our resolution tests (which we believe is most likely due to it having a relatively weak anti-aliasing filter); this is intended simply to provide the fairest comparison to other manufacturers' systems. The samples gallery contains images taken using various camera bodies (Olympus E-3, Olympus E-510, and Panasonic L-10).

Headline features

• 24-120mm equivalent focal length range
• Relatively fast 2.8-4.0 maximum aperture
• Four Thirds mount for Olympus and Panasonic DSLRs

Olympus Zuiko Digital 14-42mm 1:3.5-5.6 ED review

The Zuiko Digital 14-42mm 1:3.5-5.6 ED is the standard kit lens which Olympus supply with their lower-tier DSLRs, including the E-420 and E-510. Announced in September 2006 to accompany the launch of the E-400, it shares that camera's defining characteristic, being remarkably compact in size. Indeed it takes advantage of the relatively small size of the Four Thirds sensor to be comfortably the smallest and lightest DSLR zoom lens currently available, great for those users who wish their camera systems to be as portable as possible.

However despite its diminutive size, the 14-42mm still packs in some fairly exotic optics to deal with aberrations, in the shape of one extra-low dispersion (ED) glass element and two aspheric elements. It also incorporates a circular aperture diaphragm, which Olympus claim should provide 'beautiful rendition' of defocused areas of the image, and indeed consider to be one of the big advantages of this lens. The icing on the cake is an internal focusing system with a proper manual focus ring and a non-rotating front element, always a positive point for those photographers who like to use filters.

Olympus have long had a reputation for the quality of their lenses, plus a proven track record in the design of small but highly capable cameras and lenses (exemplified by such 1970s classics as the OM system SLRs and XA rangefinders), so the 14-42mm comes with a solid pedigree behind it. But as always with kit lenses, the biggest question is whether Olympus have cut corners unacceptably with either the optics or mechanics, in a drive to keep costs to a minimum. Let's find out.

Use of the Panasonic L10 as Four Thirds test body

We have chosen to use the Panasonic L10 as our standard test body for Four Thirds lenses purely because it gives the highest numbers in our resolution tests (which we believe is most likely due to it having a relatively weak anti-aliasing filter); this is intended simply to provide the fairest comparison to other manufacturers' systems. The samples gallery contains images taken using various camera bodies (Olympus E-3, Olympus E-510, and Panasonic L-10).

Headline features

• 28-84mm equivalent focal length range
• 'Focus by wire' manual focus system
• Four Thirds mount for Olympus and Panasonic dSLRS

EOS 40D Firmware Update Version 1.0.8

download it at here

[b]Firmware changes[/b]
This firmware update (Version 1.0.8 ) incorporates the following improvements and fixes.

1. Fixes a phenomenon in which Image Stabilization operation emits a sound when certain buttons are pressed, with the EF-S 55-250mm f/4-5.6 IS lens attached to the camera.
2. Fixes a phenomenon in which the Image Stabilization operation emits a sound from the lens when IS lenses are attached to the camera.
3. Fixes a phenomenon in which a part of the image looks unnatural when reviewed on the LCD.
4. Corrects errors in the Spanish and Norwegian menu screens.

The Version 1.0.8 firmware being released this time is for cameras with firmware up to Version 1.0.5. If the camera's firmware is already Version 1.0.8, it is not necessary to update the firmware.

Apple Aperture 2.1

Apple® today released Aperture™ 2.1, which introduces an open plug-in architecture that makes it easy for photographers to use specialized third party imaging software right from within Aperture. Available today as a free software update, Aperture 2.1 includes the Apple-developed plug-in, Dodge & Burn, which adds brush-based tools for dodge (lighten), burn (darken), contrast, saturation, sharpen and blur. Over the coming months, third party software developers will deliver image editing plug-ins for localized editing, filters and effects, noise analysis and reduction, fisheye lens correction and more. “The image quality in Aperture 2 has won over the most demanding photographers,” said Rob Schoeben, Apple’s vice president of Applications Product Marketing. “Now, thanks to our open plug-in architecture, users can access an entire industry’s worth of imaging expertise without ever leaving Aperture.” “To date, maybe two percent of my photographs needed to be touched up outside Aperture,” said John Stanmeyer, founding member of the VII Photo Agency and contributing photographer for Time and National Geographic magazines. “Now that I can dodge and burn right within Aperture’s new plug-in, I can’t imagine when I’ll have to open any other application to tone my images.” By clicking on one or more images within Aperture, users can choose from a menu of installed plug-ins and apply specialized imaging operations to either TIFF or RAW images. Apple is working closely with key developers to bring the most requested plug-ins to Aperture such as: • Nik Software’s Viveza plug-in, powered by U Point technology, which provides a powerful, precise and easy way for photographers to selectively control and adjust color and light in their digital images;

• PictureCode’s Noise Ninja plug-in that delivers advanced high ISO noise analysis and reduction;

• Digital Film Tools’ Power Stroke plug-in that features a simple, stroke-based interface to quickly mask and intuitively perform targeted adjustments;

• The Tiffen Company's Dfx plug-in that provides an expansive suite of creative filters and effects;

• dvGarage’s dpMatte plug-in, which is a high performance chroma key tool for creating seamless composites, and the HDRtoner plug-in that enables the selection of multiple photos to create a single high dynamic range (HDR) image; and

• Image Trends’ plug-ins that include Fisheye-Hemi to quickly and effortlessly correct fisheye lens distortion, ShineOff which automatically removes shine from faces and PearlyWhites that automatically whitens and brightens teeth.

Adobe Photoshop Express Beta

Adobe Systems Incorporated (Nasdaq:ADBE) today announced Adobe® Photoshop® Express public beta, a free Rich Internet Application (RIA) available to anyone who wants to store, sort and show off digital photos with eye-catching effects. During the public beta period, Adobe will solicit Photoshop Express user feedback on product features and functionality, which will continue to evolve over time. As the newest addition to the Photoshop family line, Photoshop Express has taken much of Adobe’s best image editing technology and made it simple and accessible to a new online audience. Photoshop Express allows users to store up to 2 gigabytes of images online for free, make edits to their photos, and share them online in creative ways, including downloading and uploading photos from popular social networking sites like Facebook.

“Photoshop is trusted technology that has changed the visual landscape of our world. Now, Photoshop Express allows anyone who snaps a digital photo to easily achieve the high-impact results for which Adobe is known,” said Doug Mack, vice president of Consumer and Hosted Solutions at Adobe. “Photoshop Express is a convenient, single destination where you can store, edit and share photos whether you’re at home, school or on the road.”

Simple, Fun and Accessible

With Photoshop Express, digital photos can be uploaded and sorted anytime, edited non-destructively to always preserve the original image, and shared from anywhere, on any Web browser. In a few easy clicks, Photoshop Express empowers anyone to make standard edits, such as removing blemishes and red-eye, converting to black and white, cropping and resizing, and much more.

No experience is required to add special effects that will impress friends and family. In keeping with its one-click approach, Photoshop Express offers tricks like Pop Color which selects an object in an image, mutes the background color of the photo and allows the user to swap the object’s color so it jumps off the page. Sketch effects help photos look like drawings and the Distort feature allows you to distort facial features or objects within the images for a comical or artistic effect. Even users with limited photo editing knowledge can simply select what looks best from a line-up of sample photos with visual hints showing different variations of the added effect.

Photoshop Express offers a variety of creative sharing options, including uploading and showing off photos and slideshows in your own online “Gallery” hosted by Adobe, or conveniently embedding or linking photos to social networking sites and personal blogs without having to leave the application. Slideshows never looked better with animation that makes photos float and fly across the screen, allowing for viewer interactivity and unique presentation styles.

Adobe Photoshop Family

Adobe Photoshop CS3 and Photoshop CS3 Extended are at the heart of the Photoshop family, joined by solutions for users at every level who want to bring out the best in their digital images. Photoshop Lightroom™ addresses the workflow needs of professional and serious amateur photographers. Photoshop Elements provides exciting tools and sharing options for photo hobbyists.

Photoshop Express is the latest step Adobe is taking to leverage the advanced technology that underpins its award-winning creative products and deliver it to new online communities. In early 2007, Adobe also announced the availability of Adobe® Premiere® Express, an online video editing and mash-up tool on partner sites such as MTV and Photobucket. Adobe Premiere Express leverages the functionality found in Premiere Elements, a fully-featured desktop video editing program.

Free and Available Now

Adobe Photoshop Express beta is available now for free via any Web browser at http://www.photoshop.com/express. Photoshop Express was created with Flex, Adobe’s free, open source framework for building RIAs. Flex applications provide a consistent, rich user experience across operating systems and all major browsers, including Firefox, Internet Explorer, Safari and others. An Internet connection and an up-to-date Flash® Player 9 are all that are required to experience Adobe Photoshop Express. In its early phases, Photoshop Express is available to US residents-only in English. Users may experience slow performance if accessed outside of the US. Future plans include availability in other languages and countries.

Canon EOS 450D

today launches its latest D-SLR, the EOS 450D. Featuring a 12.2 Megapixel CMOS sensor, EOS Integrated Cleaning System, 3.0” LCD with Live View mode and a new 9-point AF system, the model presents consumers with an unprecedented level of image quality and versatility at this end of the market.

The EOS 450D employs features already proven in Canon’s professional EOS-1 series cameras, including the DIGIC III image processor and a redesigned menu system that enables features such as direct control of Speedlite flash units from the camera LCD. A choice of 13 custom functions allows the photographer to customise the camera to their shooting style.

“The EOS 450D bears the fruits of more than 20 years of ongoing investment into EOS,” said Mogens Jensen, Head of Canon Consumer Imaging, Europe. “This camera continues Canon’s policy of taking technologies proven in the professional arena and putting them within reach of a wider market of amateur photographers.”

The EOS 450D features:

• 12.2 Megapixel CMOS sensor
• Canon’s EOS Integrated Cleaning System
• 3.5 frames per second
• 3.0” LCD with Live View shooting
• 9-point wide-area AF system with f/2.8 cross-type centre point
• Picture Style image processing parameters
  
• DIGIC III image processor
• Digital Photo Professional RAW processing software1
• Compact and Lightweight body
• Fully compatible with all Canon EF and EF-S lenses and EX-series Speedlites

The EOS quality advantage

With all key components developed and manufactured in-house, EOS offers photographers a unique quality advantage. The EOS 450D’s specially designed 12.2 Megapixel sensor employs Canon’s high-sensitivity, low-noise CMOS technology to produce richly detailed images with minimal grain. The DIGIC III processor ensures superior image rendering and rapid response times, with an almost instant 0.1 start up. Image data is processed at 14 bits for Delivering a burst rate of 3.5 frames per second, the DIGIC III processor works with the image buffer to handle up to 53 JPEGs (6 in RAW) without interruption.

Built for better photos

The EOS 450D is designed to make photography a fluid experience for photographers of all levels and experience. Housed in a compact body that weighs less than 475 grams, the camera features an improved grip design that provides a natural, ergonomic fit with the user’s hands. A large, bright viewfinder makes image composition clearer and more comfortable. The menu system inherited from professional EOS cameras uses a simplified tab structure that does away with scrolling. It includes a user-defined My Menu tab for instant access to frequently used settings.

Several custom functions are available to optimise the quality of photos captured in a range of situations. Highlight Tone Priority boosts the dynamic range at the highlight end, providing better tonal detail from wedding dresses, cloudy skies and other bright objects. The new Auto Lighting Optimiser corrects brightness and contrast during image processing, while improving skin tones in portraits by ensuring correct exposure for faces. Photographers can also enable additional noise reduction for shots captured at high ISO speeds.

Live View

Available for the first time on a Canon consumer D-SLR, Live View mode makes it easier to shoot from awkward angles, such as ground-level macro shots or when shooting from a tripod. The image from the Live View mode is displayed as a smooth, 30fps video feed on the 3.0” LCD, which is 50% brighter than the screen of the EOS 400D. A grid line display and live histogram can be selected to help with shot composition and exposure. While focusing, the photographer can zoom in on specific details with up to 10x magnification of the image displayed on the LCD screen. Two types of auto focus are available: Quick AF flips the camera mirror momentarily to engage the AF sensor; Live AF uses the image contrast data to focus - a method familiar to anyone upgrading from a compact digital camera.

For studio environments, remote Live View lets the photographer compose, adjust settings and capture the shot from a PC using the supplied EOS utility software.

Other improvements

The EOS 450D complements its headline features with a host of smaller improvements that enhance the photographic experience. The viewfinder now displays all key exposure information including ISO speed. The addition of spot metering (4% of viewfinder) allows for greater control over exposure in tricky lighting conditions. PictBridge functionality has been expanded so that photographers can correct horizons and add picture effects before printing. A new high capacity battery extends shooting time on a single charge to a maximum of 500 shots.

Software

The EOS 450D is supplied with a comprehensive software suite that provides everything the photograph needs to manage and process images. This includes Digital Photo Professional (DPP), a powerful RAW converter that provides complete RAW image processing control. DPP also integrates with camera features such as Dust Delete Data and Picture Styles. The supplied Picture Style Editor software can be used to create custom Picture Styles for fine control over colour display. The camera also comes with EOS Utility, Image/Zoom Browser and Photostitch.

CMOS

Canon’s CMOS technology is one of the company’s key competitive advantages, with noise reduction circuitry at each pixel site delivering virtually noise-free images. In comparison with CCD technology, the lower power consumption characteristics of Canon’s CMOS sensors also contribute to longer battery life.
Signal conversion in Canon’s CMOS sensors is handled by individual amplifiers at each pixel site. Unnecessary charge transfer operations are avoided, vastly speeding up the process of getting signal to the image processor. Noise generation is reduced, power consumption is limited and faster frame rate potential is increased.

EOS Integrated Cleaning System

The EOS Integrated Cleaning System combats sensor dust in three important ways: Reduce, Repel and Remove.

1. Reduce - Internal camera mechanisms are designed to minimise dust generation. The redesigned body cap prevents dust generation through wear on the cap itself.
2. Repel - Anti-static technologies are applied to the low-pass filter covering the front of the sensor so as not to attract dust.
3. Remove - A Self-Cleaning Sensor Unit uses hi-frequency vibrations to shake dust from the infrared filter for a period of approximately one second after each start up. For instant shooting after power up, this feature is disabled immediately the shutter release is depressed.

Canon has also developed an internal Dust Delete Data system, which can map the position of visible dust on the sensor. This can then be deleted automatically after the shoot with the latest Digital Photo Professional software.

Picture Style

Picture Style pre-sets simplify in-camera control over image qualities. Picture Style pre-sets can be likened to different film types – each one offering a different colour response. Within each selectable pre-set, photographers have control over sharpness, contrast, colour tone and saturation. The camera’s factory default configuration is set to deliver immediately-usable JPEG images without need for additional menu settings. Picture Style presets applied to a RAW image can be revised with Canon’s Digital Photo Professional software.

The six pre-sets include:

• Standard – for crisp, vivid images that don’t require post-processing
• Portrait – optimises colour tone and saturation and weakens sharpening to achieve attractive skin tones
• Landscape – for punchier greens and blues with stronger sharpening to give a crisp edge to mountain, tree and building outlines
• Neutral – ideal for post-processing
• Faithful – adjusts colour to match the subject colour when shot under a colour temperature of 5200K
• Monochrome – for black and white shooting with a range of filter effects (yellow, orange, red and green) and toning effects (sepia, blue, purple and green).

The User Defined Picture Style can be used to store up to three customised pre-sets, or any of the pre-sets available for download from Canon’s web site at www.canon.co.jp/Imaging/picturestyle/file/index.html.

Software

Digital Photo Professional Software

Digital Photo Professional software provides high speed, high quality processing of lossless RAW images. Processing with Digital Photo Professional allows real-time display and immediate application of image adjustments, giving control over RAW image variables such as white balance, dynamic range, exposure compensation and colour tone. Images can be recorded in camera with sRGB or Adobe RGB colour space. Digital Photo Professional supports sRGB, Adobe RGB, ColorMatch RGB, Apple RGB and Wide Gamut RGB colour spaces.

ICC (International Colour Consortium) profiles can be attached to TIFF or JPEG images when converted from RAW. This allows faithful reproduction of colours in software applications that support ICC profiles, such as Adobe Photoshop. For improved efficiency, a set of image adjustments can be saved as a recipe and applied.

EOS Utility

The latest version of EOS Utility provides essential support for Live View remote shooting, camera configuration and image transfers. Tightly integrated with Digital Photo Professional, EOS Utility can be configured to monitor ‘hot’ folders, automatically renaming and moving incoming images to a structured file system.

The 123 of digital imaging 5.0

Site contributor Vincent Bockaert has today announced a totally new version of his excellent 'The 123 of digital imaging Interactive Learning Suite'. A favorite piece of reference material I never hesitate to recommend this excellent interactive electronic book which will provide you with both pathways for learning as well as reference. No matter what your knowledge level there will be plenty to learn from the 123 of digital imaging. On top of a major expansion in content (now 4,200 pages covering 153 topics) the new version is now fully Mac OS X compatible and has a completely redesigned user interface.

Click here to visit 123di.com to download the free demo

A publication like no other, the usage of animations and user-interactivity makes 123di an unrivalled and unmatched digital photography learning tool.

123di covers all aspects of the digital imaging workflow:

1. Understanding digital imaging and digital camera selection
2. Enhance your images in the "pixelroom"
3. Manage, view, share, and print your images

Highly Integrated and Interactive Content

123di contains over 4,200 interactive screen-size pages filled with thousands of full color graphics and animations organized into 153 topics. The practical content is highly cross-referenced with digital photography background theory.

Three Selectable User Levels

1. Starter sections are like "executive summaries". These brief introductions with simplified and synthesized content are ideal if the reader has little time and wants to keep it simple.

2. Essential sections get the reader up to speed quickly and are a must read for beginners. But even for advanced readers they are a nice refresher before diving into the advanced sections. Image editing tutorials in the essential sections are based on Adobe Photoshop Elements 6, 5, 4, 3 & 2.

3. Advanced sections build on the essential sections and are more in-depth and detailed, and technical at times. Image editing tutorials in the advanced sections are based on Adobe Photoshop Lightroom, Photoshop CS3, CS2, CS, and 7, including Photoshop CS3 Extended features that are relevant for digital photography.

10 Key Software Packages Covered

Adobe Photoshop Elements 2, 3, 4, 5 & 6 Editor, Photoshop Elements 3, 4, 5 & 6 Organizer, Adobe Photoshop 7, CS, CS2, CS3 & CS3 Extended, and Photoshop Lightroom are featured with animated tutorials and unique interactive graphical user interfaces. Clicking on any menu item, tool, or palette in the interactive interfaces brings the user to the corresponding explanation page which also links to practical tutorials and theoretical background information within 123di. Many other software packages such as ACDSee 9 & 10, PTGui, Photorescue, etc. are also briefly covered.

A separate version for Nikon users covers, Nikon Scan 3 & 4, Nikon Capture 4.4 & Capture NX 1.3, and Camera Control Pro 2, in addition to the content of the regular version.

A Canon version, covering Canon DPP, Canon printers, and Canon technology will be available in the second quarter of 2008.

Users of the regular version can upgrade to the Nikon or Canon version at any time by topping up the price difference (no additional upgrade fee).

Unique Navigation

Besides reading 123di like a printed book, 123di offers many alternative ways to quickly find the information such as the above mentioned interactive graphical user interfaces, digital imaging workflow diagrams, index, before and after images, frequently asked digital imaging questions, interactive slide show, custom bookmarks, etc.

Complete Theory on Digital Photography

123di has extensive coverage on digital photography concepts such as resolution, compression, color bit depth, dynamic range, noise, focal length multiplier, sensor types, etc. The inner workings of cameras, scanners, accessories, monitors, and printers are explained in detail. Detailed full color graphics, animations, interactive simulations and interactive calculators allow for an accelerated way of learning that gets the reader involved.

Buying Guides for Cameras, Scanners, Monitors, and Printers

Detailed buying guides for cameras, scanners, monitors, printers, and accessories help in the reader's buying decision process.

Practical Image Editing Techniques

Useful image editing techniques cover various approaches to create spectacular images and overcome limitations of the scene, the photographer, or the camera.

Color Management

Color management is featured throughout 123di to ensure consistent and accurate color during the entire workflow. The coverage is substantially improved in Version 5.0, covering both Macintosh and Windows platforms.

Working in RAW

123di has a comprehensive practical and theoretical coverage of working in RAW. Practical examples are based on Adobe Camera Raw for all Adobe Photoshop versions. The Nikon version also covers Capture NX 1.3 and Nikon Capture 4.4, while the upcoming Canon version will cover Canon DPP.

New Content in Version 5.0

• Content updated for Windows and Macintosh platforms.
• Extensive coverage of Adobe Photoshop Elements 6 (Editor and Organizer), Photoshop Lightroom, Photoshop CS3 & CS3 Extended, including Camera Raw 4, from a digital photographer's perspective. The content about Photoshop Elements 2, 3, 4 & 5 and Photoshop 7, CS & CS2 is still included.
• Chapter 12 - "Working in RAW mode" is updated for Adobe Camera Raw 4.x, Capture NX 1.3 (for the Nikon version), and in-depth RAW background information to get the most out of RAW images. The content of Nikon Capture 4.4, Camera Raw 1.x, 2.x, and 3.x is still included.
• Extensive revision of the color management and printing content, including coverage of CBL Lens, and Datacolor Spyder3Elite and Spyder3Print.
• Thousands of modifications and updates were made to the content and hundreds of pages were added to keep 123di fully updated with the latest technology changes.

New Features in Version 5.0

• Brand new Content Visualization Engine for Windows and Macintosh (Universal Binary).
• More than 500 fully controllable animations with “back”, “forward”, “play”, and “pause” buttons.
• Print button to print individual pages as a reference.
• Compared to the Standard Edition, the new Extended Edition comes with additional navigation features:
  • New Search Engine providing instant results
  • “Add Bookmarks” and “View Bookmarks” buttons allowing the reader to add and organize an unlimited number of bookmarks
  • “Add Notes” button to add notes to any page.
  • Transfer Bookmarks & Notes between computers
  • Reduce or enlarge the default font size to enhance readability.
  • Opens on the Last Page you viewed in your previous session.
  • Opens with the window size and position of your previous 123di session.
• Users can upgrade from the Standard to the Extended Edition at any time by topping up the price difference (no additional upgrade fee).

Nikon D60 Review

The D60 is the third incarnation of Nikon's compact, user-friendly entry-level SLR line that started back in 2006 with the D40 (which replaced the first Nikon 'starter' model, the D50). The original D40 was a hugely important camera for Nikon and can be given a lot of the credit for the resurgence in Nikon's fortunes at the volume end of the SLR market (which had been totally dominated by Canon since the launch of the EOS 300D / Digital Rebel). The D40's success (which continued long after the D40X made its swift appearance only 6 months later) isn't hard to explain; it was keenly priced, nicely designed and built and capable of excellent results. It was also a camera that proved cameras do not sell on megapixels alone (even at launch its 6MP resolution was far from 'class leading').

The D40X, which was positioned as a premium alternative to the D40 rather than its replacement, didn't mess around with the formula much at all; a new sensor with more (ten) megapixels and a lower base ISO, plus a slightly higher continuous shooting rate. The D60 is a direct replacement for the D40X (the D40 will stay around for a while as Nikon's budget option), and once again it's not a major upgrade; the sensor remains the same (though now has a dust reduction system) and the external design is almost identical. There's a few new features, including the same Expeed processing 'concept' seen in the D3 / D300, Active D-Lighting, an eye sensor (to control the screen display), and some tweaks to the interface, but perhaps the most significant change isn't to the camera at all; the move to an optically stabilized version of the kit lens.

Auto Focus only for AF-S or AF-I lenses

As with the D40 and D40X, the new D60 doesn't have an built-in focus drive motor which means it can auto focus only with lenses which have their own drive motor (AF-S and AF-I lenses). The lack of a drive motor can be seen by the missing mechanical focus drive pin on the lens mount (see images below). One of the D60's new features is an electronic rangefinder to help manual focus on non AF-S / AF-I lenses.

Nikon D60 key features

• 10 megapixel DX format CCD (1.5x FOV crop)
• Nikon EXPEED processing 'concept' (as per D300, D3)
• 3D Color Matrix Metering II, 420 pixel sensor
• Multi-CAM530 three area AF sensor
• New Image sensor cleaning system
• Eye sensor (turns off LCD display)
• ISO sensitivity range 100 - 1600 plus HI 1 (3200 equiv.)
• 3.0 fps continuous shooting*, unlimited in JPEG
• No status LCD, LCD monitor based status / settings screens (now rotates)
• Help suggestions on LCD monitor (eg. scene too dark, try using flash)
• Large 2.5" 230,000 pixel LCD monitor
• Short shutter lag and viewfinder blackout
• Support for SDHC (SD cards over 2 GB in capacity)
• In-camera retouching
  • Quick Retouch
  • D-Lighting (shadow / highlight enhancement)
  • Red-eye reduction
  • Trimming
  • Monochrome
  • Filter effects
  • Small picture
  • Image overlay
  • Raw processing
  • Stop-motion movie
• USB 2.0 with PTP and Mass Storage device support
• Very compact, light body
• Improved menu user interface
• EN-EL9 Lithium-Ion battery (7.2V, 1000 mAh)
• New stabilized AF-S DX 18-55 mm kit lens

Differences compared to the D40X

• EXPEED processing
• Image sensor cleaning system with Airflow control system
• Automatically rotating user interface (for using camera vertically orientated)
• Stop motion movie function
• New stabilized kit lens (AF-S DX NIKKOR 18-55mm f/3.5-5.6G VR)
• Eye sensor
• Electronic 'rangefinder' for manual focus
• Active D-Lighting with dedicated button
• In-camera Raw processing
• New JPEG retouch effects (Cross Star and Color Intensifier)

Sigma 50mm f/1.4

Sigma bolsters its top-end EX range with the announcement of a HSM focusing-motor-equipped 50mm f/1.4 lens. Offering a moderate telephoto field of view on APS-C cameras, Sigma's DG designation means it will also work as a standard lens on full-frame digital cameras. We believe this is the first time a 50mm f/1.4 lens has been offered with a ring-type focus motor. Pricing and availability information to follow as soon as we have it.

The Sigma Corporation is pleased to announce the new large aperture 50mm F1.4 EX DG HSM standard lens. For Sigma, Canon, Nikon, Pentax* and Sony*

• Standard lens with large maximum aperture of F1.4.
• It creates sharp images with high contrast and ensures superior peripheral brightness.
• Incorporates molded glass aspherical lens, perfectly correcting coma aberration and creating superior image quality.
• Super multi-layer coating reduces flare and ghosting.
• Hyper Sonic Motor (HSM) ensuring silent, high-speed AF

This is a large aperture prime lens with a standard focal length of 50mm, ideal for digital cameras. This lens is perfectly suited for a wide range of subjects enabling outstanding, sharply defined images against a nicely blurred background. The fast, F1.4 aperture makes this lens desirable for use with Digital SLR cameras. This lens effectively becomes an 80mm medium telephoto lens on digital cameras with APS-C size image sensors. The optimum optical design and molded glass aspherical lens elements provide excellent correction for all types of aberrations. This lens has superior peripheral brightness and provides sharp, high contrast images even at the maximum aperture. Superior optical performance is also ensured throughout the focusing range. The super multi-layer lens coating reduces flare and ghosting. This lens has a minimum focusing distance of 45cm (17.7”) and has maximum magnification of 1:7.4. It creates a very attractive blur, even when a small aperture is used.

This lens incorporates HSM (Hyper Sonic Motor), which ensures a quiet and high-speed AF as
well as full-time manual focus override.